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Burberry creative director Christopher Bailey's (since heralded) show took place Tuesday in London and was at the same time aired in five major fashion capital around the globe. A modicum of editors and fashion cognoscenti were invite to the select screenings with the obligation that they don the same wayfarer-esque black rims millions of plays goers slipped on to watch any number of 3D films this past year. Soon after, a parade of digitally predictable models in thigh-high crocodile boots and sumptuous leather aviator jackets walked past. And, rest assured, they won't be the last.On Thursday news surfaced that Fendi, an Italian fashion house overseen by the matchless Karl Lagerfeld, was shooting its Paris production in 3D for potential use in its storefronts, as well as for special events. But, while all signs point to fashion going to the third breadth, just how much permanence can such a novelty sustain in a scandalously fickle industry? Like something new in a world where movements are branded and capitalized on faster than you can say "next please," the push for 3D is likely to skill a shelf-life exponentially shorter than its past comebacks in popular culture.

There's a strong possible that the next few seasons of fashion shows will feature newly famous fashion bloggers and editors toting 3D glasses in their fashionable bags next to their iPad. But,  Wave has learned the hard way, the question with new skill remains: is it making our lives better, easier, more convenient? In this case, not really. Like that one ornament Coco Chanel famously recommended women take off before leaving the house, 3D may be just one more thing we don't need.

So, in all likelihood, expect that fashion's 3D obsession will go the way of recently resurrected styles like acid wash and harem pants. In ten years we'll all look back and laugh at how funny we looked, decked out in our best designer duds, watching the latest sartorial creations pageant before us in goofy glasses when we could have just as easily watched it live